Experiments with MidJourney and My Writing

I recently started working with the AI art generator MidJourney. Many of you may not know this but I have Prosopagnosia (faceblindness) and so I don’t visualize things the way that many people do. I’ve always wanted to create beautiful visual art, and photoshop helped me to get part of the way there but I never felt like I could create something from my words in a way that made sense for others visually speaking. The cool thing about MidJourney is that I can take my own written work, poetry and prose, and create something visually unique.

I am looking forward to using MidJourney and potentially other AI software in concert with my writing in the future. There is so much potential to collaborate with AI and develop new and unique landscapes of thought and experience.

On that note, Everything in this post is directly inspired by one of my novels, my short stories, or my poetry. Often I simply entered lines of my poetry and the result are many of the more abstract imagines, such as the ship made of leaves, the teacup in space, and the skull rising out of the road.

Which are your favorites? Which ones do you think best represent my work? Leave your thoughts in the comments.


Snakeskin (A Sci-Fi Short Story)

I’m happy to announce the release of another short story of mine. This is a dark sci-fi horror story. It just officially went up for preorder and will be available October 17th at all your favorite digital stores.

A dark sci-fi/horror short story

In the near future, it is possible to shed your skin for a better body. The procedure is brutal, but many believe it is worth the cost. There are rumors that the procedure does something else too… something sinister. Kelly, who never really wanted the procedure in the first place, is about to discover the truth one way or another.

You can find it here

Guest on Indie Book Talk Podcast

A few weeks ago, my co-author Kyra Wellstrom and I recorded an episode with Indie Book Talk. The podcast episode was a lot of fun. We talked about worldbuilding, anthropology, and writing more generally. The episode is on the shorter side (only 24 minutes) so it’s a great discussion of the lot of the things we do in a quick and interesting episode. The episode came out this morning!

Check it out here!

Happy 4th Birthday Mimi of the Nowhere! An Announcement, Why My Series Isn’t Dystopian, And Why Book 5 Has Been Slow Coming

Today is the 4th anniversary of my first novel, Mimi of the Nowhere going live on Amazon, Kobo, and Barnes and Noble. In the last 4 years, there have been four books published in the series since that date, with more on the way. I am approaching the end of the first draft of book 5, The Children of AEIS and expect it to be out late summer.

For those who of you who have been following the series, you may have noticed it’s been two years between book 4 and book 5. Why is this? Well, as I am sure so many of you have experienced, the Covid-19 pandemic made life a bit more complicated for a while. But in addition to that, in June of 2020 I suffered a major head injury during a cycling accident. I struggled to read or write anything for almost 6 months. I would have occasional little bursts of creativity during that time, but I wrote and read very little. I was diagnosed with post concussion syndrome and I can say now, that after almost 2 years, I finally have a great deal of normality with only occasional concussion related issues.

This spring and summer I am back in the full swing of writing. And so there is another announcement. The Children of AEIS became rather lengthy, well over 1000 pages. If you’ve been following the series, you might no why… the world went from one walking city, to multiple, and then in book 4… the whole solar system began to open up. Because of it’s length, I have decided to split it into two books. Which will release within six months of each other. The new entry to the series, means the series will now be seven books in length. Book six is titled, “A War For The Heavens.” While book 5 focuses on the survivors of the aftermath of the Battle for Langeles, book 6 will return back to Manhatsten with their new allies the Lunites, and a conflict that is growing with ROAM. Book 7, A Hand to the Stars, will focus on the final battles for the fate of all remaining walking cities and the solar system itself.

You know, another thing I have been thinking about… my series never really fit quite right into the dystopian literature. Things are hard yes, but not hopeless. There is a lot of oppression, a lot of social control, but there are good things as well. It’s much more complex than the label of dystopian. My project here isn’t to talk about how awful society can be and the fear around the slide downhill… instead, this series is something different. I recently discovered an article on polytopias, about stories where the fundamental driving force of the story is that of change and diversity itself. I realized that the heart of everything happening my fictional universe fits this approach so much better. Definitely give that article a read if you want more info about polytopias. The author correctly points out Kim Stanley Robinson’s Mars trilogy and the Expanse as important examples of polytopias, and stories about change and diversity are definitely my approach.

Thank you to all of you who continue to follow my work. I appreciate every single one of you. I don’t have many fans, but the ones I do are the absolute best.

Why Your Narrative Design Team Needs An Anthropologist or at Least Some Anthropology

I’m an avid gamer and science fiction author in addition to being an anthropologist. So for me, worldbuilding is everything. A bad worldbuild immediately turns me off to games, and I know that as gamers become more sophisticated, many people are feeling the same. First of all, some of you may be asking, Just what is Anthropology? Well, for a quick answer, it’s the study of humans and cultures. Anthropologists like myself spend years studying culture, identity, and cultural systems. We also have a unique approach that not only helps with building a fictional world but is vital for creating a realistic and immersive world system. (For more on what Anthropology is, check out my YouTube series Anthropology in 10 minutes or Less)

Below are a few reasons an Anthropologist (or at least some anthropology) could augment the quality of your game and the experience of your gamers.

1. Holism.


The concept of Holism is a vital component in anthropology and is one of the three elements of Anthropology that make it unique from all other social sciences. Holism is the very real and applicable concept, that culture and identity are an integrated system, and that when you change one thing, it’s going to change everything. Think of the famous chaos theory concept, the Butterfly Effect, that the smallest changes can have a massive and unpredictable ripple effect outward.

What does this mean? Well, your fictional economic system, your family life, your political system, your religion, your ethnic system, your culture’s attitudes towards death, their biology, their environment, the kinds of things that they make, and more, are all deeply interrelated and connected. So when you’re building a fictional world, it’s important to consider these relationships and how they all relate to systems of power, identity, freedom, oppression, and so on. It sounds like a lot doesn’t it? It is. But it’s also why Anthropologists are essentially jacks of all trades. Our job is to understand how these systems operate and change. We look at the big picture of how societies operate as well as how biology and the environment impact us. Ultimately, culture is an adaptation to biological, environmental, and social forces. A holistic approach helps us understand those relationships.


2. More Immersive and Realistic Interactions and Game Changes


Creating a fictional world in game, film, or written form is a massive undertaking, and for gaming and other interactive mediums, considering culture can absolutely make or break a game. It doesn’t mean you have to get worldbuilding perfect, (very few games around have really truly holistic worlds but there are more with each passing year) but, it will also help you to think about the causes, and consequences of the actions of not only the NPC’s but the characters as well. Think about how much more interesting the choices in your games can be for characters if, their actions and choices early game create ongoing cultural changes. Imagine if allying with an NPC early in a game could have real, culture-wide consequences that ripple outward in interesting and meaningful ways (Not just who you get to be friends with later) What would look like? Well, that’s where an anthropologist could come in. We have more then a century of research on what culture changes looks like and how it manifests. For example, when I recently consulted for a major tech company, we talked about how the 1918 pandemic shifted our standards of beauty and made things like tanning popular, and altered our architecture to include more sunlight and open spaces in our buildings in the United States.


3. Anthropologists Are Intercultural Communicators


Our job as anthropologists is not only to study and understand cultural systems but to also act as intercultural communicators. We help different kinds of cultures and subcultures communicate and work together. It’s also why so many tech companies these days hire UX and Design Anthropologists because we understand elements of human behavior that a lot of other people miss. Anthropologists study human behavior and cultural trends and how people experience the world across cultures. So if you want to release an app in India, or China, or Germany, they will necessarily require different cultural considerations. Within a game with diverse populations, towns, and political factions, this becomes vital.

Remember that potential change I was just talking about early game as a potentially major change agent in this hypothetical game world? Your choice of who you align with or interact within the real world can have some hefty political ramifications. Early on in my field research experiences, I learned that not every group, even within a single culture is going to react the same way to change and some may or may not be able to communicate the impact of those changes effectively. One thing you learn really quickly when you go out in the field and work with people and do research is that even the most positive and useful changes you help a culture make will have all kinds of strange and unexpected consequences. Further, no matter what the change, someone is always going to be disenfranchised and will push back against the changes, even if they are beneficial for everyone but themselves. An anthropologist who has been in the field and studied culture for years of their life is going to help you think critically about what those changes will do and how different groups will interact with them.

4. Diversity Is A Strength, Especially if You Want An Immersive Fictional World

There’s a lot of discussions these days about representation and diversity, and rightfully so. The gaming community has been grappling with being more inclusive, not only in the makeup of companies but also in gaming content itself. The reality is, the lack of diversity in your game or film, or writing project is actually just simply, bad writing. The world is diverse and complex, your game should be too. But what do you do if you want to write a game about groups or cultures that are unfamiliar to you? Well first, do some background research at the very least. But ideally, you should reach out and work with different cultures and groups that you are portraying (yes even if they are an analogue… actually, especially if they are an analog). An anthropologist can help mediate these conversations and help all interested parties get around some of the communication traps and internal biases that we all have. Without doing the research, might inadvertently create a stereotypical culture that disenfranchises a real culture and create a headache for your gaming company. Remember, bias is not a comment on your character, it’s just the blind spots in your knowledge and it’s an anthropologist’s job to figure out, how these biases get in the way of communication across cultures.

The more complex and diverse your world is, the more immersive it will feel. You want your gamers to feel like they just stepped into an actual world with diverse characters with different skills, hopes, dreams, and inclinations don’t you? If you understand diversity, this becomes so much easier.

5. Imagination Isn’t Always the Same Across Cultures


There’s a problem with a lot of the fantasy novels. They are all the same. So many just take lifted D&D mechanics or they take place in the same European-based cultures that surround 15th– 17th-century technologies. There are some notable exceptions, but you see in the fantasy fiction world, time and time again, the same recycled tropes and storylines. A lot of gaming RPGs suffer the same fate. They don’t offer anything unique or interesting. Personally, interesting game mechanics just aren’t enough to really capture my attention for the long haul. I need an interesting story and world and characters that I care about. The reason things have become stagnant in a lot of media is that we have limited ourselves to the imagination of just a few cultures and traditions. The world is full of amazing, diverse, and unique perspectives to consider in creating fictional worlds, whether based on something real, or something totally new.

Until relatively recently, creating digital games was really only available in a few cultures around the world. But in the past decade or so, that’s changed. Consider the game Never Alone, also known as Kisima Inŋitchuŋa in the indigenous language. It’s a unique game that tells a story about the Iñupiaq culture. In fact, the whole game is in the traditional language with English subtitles. My favorite part as an anthropologist? Not only was the game created by indigenous people for indigenous people thus offering a unique experience, but the game offers interviews with Iñupiaq elders that unlock as you complete each level. This gives your gamers a richer experience and helps expand our imaginations and the possibilities of our future as a species. This is important, because as I said in my recent Ted Talk on this topic, what we imagine matters.

6. Anthropology is a Toolkit

All this above by the way is why me and my colleague Kyra Wellstrom decided to sit down and work on a book, just for gamers, fiction writers, and filmmakers that teaches core concepts in Anthropology. The book is called, Build Better Worlds: An Introduction to Anthropology for Game Designers, Fiction Writers, and Filmmakers. We wanted to create a quick and easy guide for those who may not be able to hire an anthropologist for consulting on their projects and something that wouldn’t require you to dig through a bunch of textbooks to find answers. The book covers so many of the crucial elements of cultural systems because well, viewing the world from an anthropological viewpoint is a toolkit to better understand the how and why of culture and identity. With well over a century of anthropological research, we have a lot of answers and unique approaches to questions about culture. A little anthropology goes a long way.

Over the years I’ve been creating free resources for creatives to help them think about important questions in their fictional worlds, like cognitive mapping, notions of purity, the purpose of mythology, and more on my website. These resources include podcast episodes, recorded panels at cons, and a host of other tips and things to consider in your projects. I hope all of this helps you to build a better world.

Want to hire an anthropologist to consult on your game? Visit our webpage for more info.

My First Three Novels are Free till March 25th!



If you’ve read my posts and enjoy my work and haven’t checked out my book series, The Chronicles of the Great Migration, now is your chance to get the first 3 books in the series totally free until Friday March 25th. My books are leaving KU permanently and to celebrate, I thought I would run a free promotion for the series.

Mimi of the Nowhere, Upon Stilted Cities: The Winds of Change, and Upon Stilted Cities: The Battle for Langeles are totally free until this coming Friday.

Feel free to share the link to as many people as you like. And, if you do read the books, all I ask is you leave a honest review.

Terminal Decay: A Short Story in the Chronicles of the Great Migration

Recently I have decided to take some of my unpublished short stories in my sci-fi series, The Chronicles of the Great Migration and begin recording them and uploading them to YouTube. This will be an ongoing series with occasional releases that add to the world in which my story takes place.

The first entry in this series is titled Terminal Decay. In it:

A sentient satellite falls to earth and reflects on it’s life and the state of humanity, who is now relegated to living inside giant walking cities.

I hope you enjoy it!

Guest Spot on Beyond the Pen Podcast

Yesterday I went on the Beyond the Pen Podcast to talk about my co-written book Build Better Worlds: An Introduction to Anthropology for Game Designers, Fiction Writers and Filmmakers. I had fun talking to the two wonderful and dynamic hosts about our worldbuilding model, Orcs, and a little about my own writing process.

Cover Reveal for The Children of AEIS!!!

The Children of AEIS, the fifth book in my sci-fi series The Chronicles of the Great Migration, now has a cover! I am so incredibly happy with this cover. The artwork for this cover was created by the very talented Jon Stubbington. Definitely check out his amazing work.

Though I don’t have a firm date for release for the book yet, it will certainly be out before the end of spring of 2022. The Children of AEIS is the penultimate entry into this series, followed finally by A Hand to the Stars.

From the back of the book:

In the penultimate entry of the Chronicles of The Great Migration, Alexa Turon, Runner 17, Major Daniels, and their allies must learn the secrets of the mysterious AEIS and the underground city of Lastion if they hope to discover the key to defeat Miranda once and for all. Above, those aboard Manhatsten scrambles to deal with a new crisis from ROAM.

But from the ashes of the Battle for Langeles and the conflict with the Children of Gaia, a new power rises, one unlike any the world has ever known. It has only one goal, to consume.