Shades and Shapes in the Dark

Sometimes a story or a character simply won’t leave me alone. It intrudes in every idle moment and even in dreams. It refuses to go away until I do something about it.

I guess that’s my way of saying that I’ve been working on a new book. Yes, I know there are other projects… but this one just won’t stop pestering me.

I’ve only told two people who are close to me about it, but in the last month (one of the reasons for my lack of posting anything) I’ve written 47,000 words in this book. I am hesitant to make any promises for when it will be finished (or any of my other projects) but it seems to me, if I keep writing this pace, it will be finished by the end of the fall season and perhaps sooner.

The book is both Dark Fantasy and Horror and is titled Shades and Shapes In the Dark. And though it is still a work in progress, I am going to share an excerpt here for everyone, and the first full chapter for my wonderful paid subscribers over on Substack

Here is the blurb for the book:

A Girl, A Skateboard, And Four Decades of Darkness…

When nine year old Clarissa chased a thief through the woods and stumbled upon a strange meadow, she had no idea that the creature living within would begin following her and feeding on her for the next four decades. Now, she must reflect on her life, and all the ways in which the creature she has named Demon has tormented her. For somewhere in her long experience there must be an answer to defeat it once and for all, or she will face a fate worse than death.

Shades and Shapes in the Dark

By Michael Kilman

Part 1

A Game of Shapes and Shadows

Those shades and shapes in the dark,

From which we draw our desires,

Shape our way of knowing,

Of where best to put our ire.

We cannot see the murky mists,

With our eyes shut ever so tight

Where we leave behind only corpses,

And journey into endless night.

Oh how we take and take some more

For thieving is our business.

We are a shadow of what we once were

When we know only stiffness

Where ever you go is where you are

No matter how fast you’re running,

No magic, nor wisdom, can set you free,

From your mind’s endless cunning.

Come,

Let us wonder through trains of thought

And let the forms take their shape

For having read this far already

Know now, Reader,

There is no escape…

Chapter 1

Tonight, she would stand before Demon for the last time. It was the last time because, now, tonight, as the cold crept in under her skin on the darkest night of the year, and as the snow pelted her face with it’s cold harsh kisses, she would end it. She was tired of running, tired of hiding, tired of the manipulations and the games the creature had visited up on her these long years. Her torment would end before the sun rose over the snowy meadow.

She had not come here for suicide, far from it. She was no conciliatory party accepting defeat and sewing for peace. There could be no peace between them. It was time to surrender to her fate, here, tonight, no matter her fortune. She would fight with all her being until one lay dead. At least, she hoped Demon could die. Perhaps it could not. But as they say, fortune favors the bold. And her boldness was the sharpest of edges.

It had taken everything from her. Through the years it had stripped away all pretense of happiness, so that only unease remained. Only a species of longing stretched out through her loneliness as if a single gossamer thread, balancing all of her life, were holding her up. And she was dangling, oh, she was dangling now. So what use was anything but surrender?

She had come here because this is where it all began. It was the origin story of her suffering, and her brushes with madness. She had looked for Demon’s lair, for the telltale sign of bones or bodies, but she found nothing in the forest. Clarissa had wandered for through the forest for endless hours in the last month. She had learned the nature of every tree and fern she could find. Still, there was no hint of the permanence of the creature, no domicile for which it sought shelter between feedings. As the year drew closed, both on the calendar and her journey around the sun for the forty-ninth time, she had decided to return where it all began.  

After she and the creature had met at this crossroad of life and fortune, she had come back one other time to confront it. She had thought it defeated then, but it returned just as fall inevitably follows summer. Clarissa wasn’t ready to die during her last confrontation. She was now. Perhaps that would make all the difference. Certainly something would change after tonight.

It would speak tonight. She had no reason to be certain of a such a thing, but it felt right being here. It didn’t matter that the fear nipped at any exposed skin. Nor, did it matter that if she was wrong it would kill her. It was right to be here, as if she stood at the crossroads of sanity and madness.

It was only because of the snow catching the light of the full moon peaking through the clouds that she could see something emerge into the meadow. There was no sound, save for the soft flutter of snowflakes as they gathered on the tall grass, sliding down to touch the earth and gather together. She wished she could gather like that with others. What a grand thing it would be to build something, some life with other people, but Demon had made certain of her isolation.

The trees bent outward, away from the meadow, and no animal ever dared tread here. There were no tell-tale signs of tracks crossing the open space. Any animal who did come near never made it much further than the edge of the meadow before falling into first death, and then decay and ruin. There was a circle of small bones and corpses ringing the meadow, marking it off as a place of sacrifice. When she had seen those skeletons and the strange growth of trees for the first time all those years ago, it had given her pause. Unfortunately, by then it was too late. She had already stepped inside what she now thought of as, the ritual grounds.

She had spilled blood here. It didn’t matter if it was an accident. She was certain now that, by spilling blood in the meadow, she had woken Demon and begun the unending torment that was her life.

Something was moving on the edge of the wood. It rarely let her see it in all its form and being. Mostly it lurked in the shadows, satisfied to feed on her from a distance, to terrorize with uncertainty. Mostly she only saw shapes and shades of the dark, from which it sipped on her. Even now after four decades Clarissa could close her eyes and hear the soft slurping sounds it made as it sipped from the shadows in the corners of spaces. Perhaps, she thought, it cost a lot for it to take full shape. She couldn’t be sure if it was more terrifying in full form, or as a shadow, but both were the just shades of the same color of fear.  

It did not want her dead, at least she didn’t think so. It’s purpose was like a plague that left scarred survivors. Perhaps it was a parasite. She suspected it was her fear, anger, and sorrow on which it fed. For it always appeared when she was deep in possession by strong emotions or it sought to create them. When it appeared, her joy would turn sour in her mouth. Love would wilt away under the drought of goodness so that all that was left was her fixation on fear, then anger, then hatred, and finally despair.

She called it Demon. But she didn’t believe in Deities. Some might argue that the existence of such an evil would demand a deity, but why should it? No, for Clarissa, gods and devils were just lazy stories that people told themselves to feel better about their life. She spat at their simplicity. It would be so easy to hope that some god or goddess would come aid her, to defend her, to send some sign to press forward. But in forty years of torment, she had seen nothing to suggest divine intervention. No, she was on her own. Here she was now, standing in the frozen meadow, forced into a confrontation with some supernatural being. She couldn’t deny magic, but magic didn’t mean there were gods or devils or heavens, or hells.

She called it demon only because she didn’t know what else to call it. It was an animal of some kind, perhaps not one bound by the same rules and principles of our her own existence, but it seemed to follow at least some rules. At first, she had called it shadow, but that wasn’t right. Shadows couldn’t kill. Light disrupted shadows. Demon disliked the light, but… once, it had shown itself in the height of the noonday sun. That moment was forever fixed it in her memory as the moment when her passion was stolen from her, when her one refuge was taken.

There was a soft crunching noise in the snow, now several inches deep. The wind picked up. It did not howl, but it shook the snow from the tops the surrounding trees and cast it into the air like confetti. Somehow she knew that the wind was Demon’s doing and on the back of the wind, she could feel its laughter.

Footfalls emerged before her. She could see impressions forming in the snow. Silence fell. Demon had arrived.

She lifted her flashlight and shone it at the spot. Demon raised its arm to shield it’s eyes, taking a few steps backward. But there was no hiss of burning, or wince of pain, though she had bought the brightest flashlight money could buy. After a moment it let its long jagged arms, relax by it’s side. Spikes protruded every few inches, starting small at its wrists and then growing in size until they stood six inches tall on its shoulders. They reminded her rotting teeth made of something like solidified tar. It’s eyes were like giant black orbs, deep as the darkness it inhabited. To stare into them was to feel a sucking sensation on your soul. Clarissa knew from long experience, that to stare into them, was to risk everything. She stared at them now, fixing her will on Demon.

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Pronouncement & Ruin (Poetry/Art)

This pair of poetry and art come together as a pair. The poem is titled, I Sat And Watched The Pronouncement Of The King For The Last Time and the artwork it inspired is titled Ruin. More recently, I’ve been putting the poems up on Tiktok but unfortunately this one is a bit too long for that format.

I Sat And Watched The Pronouncement of the King for the Last Time

I sat and watched the pronouncement of the king for the last time

From a tower up on high

Little rose pedals cascaded below, showering corruption alongside their scent

From the eager promises lolling on the lips of a lunatic dictator

The crowd hung on every word

Oh my!

Could he rally such a cry

From tears and jeers of all those who loved him,

And loved to hate him.

But no one seems to be able to get enough of his blather

They consume his every word,

And let it bring warmth and hate to their hearts


I sat and watched the pronouncement of the king for the last time.

For the queen held no power these days,

A living, moldering corpse, propped up by high fashion

Her distraction lives in the expectations of pomp and circumstance

A role model?

No.

A comedy,

A farce,

A prop.

Her righteousness is twisted through a veil made of her undergarments

We lust after her curves and seek to suppress her for our lecherous gaze

So we can make use of her body and discard it when finished

She’s not expected to perform anymore,

For her silence is more desirable.


I sat and watched the pronouncement of the king for the last time

When art hung in tapestries like dead hanging flesh on a rotting corpse

Its soul depleted for the pleasant, the normal, the expected,

Its lukewarm flavor brought to you by your favorite sponsor

Did you see them?

There, below the dais, the mistrals sat in rows of confused passion

Blowing trumpets, bent by the will of the dictator, to change their sound for his delight

And soon their skins will be stripped by the costs of commonsense

Their only sin, to create,

Instead of creating profit


I sat and watched the pronouncement of the king for the last time

When horses were quartered to feed the starving in the streets

So that the poor could dine on the less desirable entrails

And “use the whole animal.”

Undercooked and underpaid they gobble without napkins and nod in agreement when told,

No one wants to work anymore

All the while, the dictator’s allies swim in rivers of gold and blood

With naked slaves serving their whims

And women and children work in foreign lands to satisfy their superficiality

The lords and ladies dance until their decadence destroy all civility

And the enemy is exaggerated to hide their own extravagance

Squandering potential, they let others bet on a maybe, as they cross borders,

For More Empty Promises


I sat and watched the pronouncement of the king for the last time

As fires consumed forests faster than fracking could till the blood of the earth

And men sat in armor on pale horses, blaring lights and sound in the spaces where hope is barren on the storeroom shelves

Where those who protect water were doused and drenched until the last barriers crumbled

And no decency was left

They will die thirsty,

Drenched in the water they needed,

Sucking water from cloth, they will taste the dyes as their eyes close one last time


I sat and watched the pronouncement of the king for the last time.

When the dictator’s corruption grew to great heights and fed on the flesh of all the loathsome worshipers,

As they cast the names of gods around like so many useless hens clucking

When outrage was worth its weight in gold among the bards of the king’s courts, where they made empty promises to capture a captive audience

And whispers of ‘Gods’ will” gagged those who would speak against his crimes

For what is divinity but tyranny,

When they quack about “the Secret”

When change is promised at every step if you just visualize harder,

But theft was the only true golden rule.


I sat and watched the pronouncement of the king for the last time

For the torches are already burning in the hands of those who see the truth

And the trumpet trumps his lies when blown from below

Where the wisdom of crowds grows in magnitude

And so, I sat and watched the pronouncement of the king for the last time

For his end is at hand

It’s Release Day for A Luminous Liminality!!!

It’s release day for my newest (and sixth) book, A Luminous Liminality: A Collection of Poetry & Art. The book represents 10 years of my artwork and poetry and is my very first collection of poetry and art. This last week I got the first proofs of the book and I’ve included some pictures of the final product. A Luminous Liminality has both an ebook version and a paperback version. I recommend the paperback version to get the full experience of all the color images. Please note that prints are always available for my artwork. You can find my artwork at this page if you’re curious about it.


The book is broken down into three seasons. A season of sentimentality (poems and art about emotional life), A season of reflection (Self reflection and reflection on our culture) and, A season of transformation (realization, personal growth, change). I really wanted to show many sides of my life and experience in this book. There are poems about love, loss, hope, bitterness, frustration, hope, persistence, growth, and meditation. Oh, there’s even a poem on anthropology. The book is really about my journey over the last ten years.

I hope you enjoy it. You can find it on Ebook from all your favorite digital stores and on paperback via Amazon all at this one link. Simply click whatever service you’d like to use.

A Luminous Liminality: A Collection of Poetry And Art (My First Poetry Book!)

A Luminous Liminality Book Cover
A Luminous Liminality Book Cover

Hello everyone,

For those of you who have been following this blog and website since it’s inception, you know that I post a lot of my digital art and poetry here. Well, I decided it was finally time to create a book of both my poetry and artwork from the last decade. I’ve been working on this more in secret for the past three months or so, though if you follow me on facebook (where I do most of my posting) you’ve heard me hint about it. So today, I am not only revealing the cover, but the preorder link. Now, keep in mind, if you want a paperback copy of this, you will have to wait till release day, because unfortunately, at the moment, Amazon won’t allow paperback preorders. But the ebook preorder is live and you can find the link here.

A Luminous Liminality will be released on September 17th, 2022. Some of the poems (but certainly not all) are available on the Poetry page on this website. You can check them out for some samples.

Happy 4th Birthday Mimi of the Nowhere! An Announcement, Why My Series Isn’t Dystopian, And Why Book 5 Has Been Slow Coming

Today is the 4th anniversary of my first novel, Mimi of the Nowhere going live on Amazon, Kobo, and Barnes and Noble. In the last 4 years, there have been four books published in the series since that date, with more on the way. I am approaching the end of the first draft of book 5, The Children of AEIS and expect it to be out late summer.

For those who of you who have been following the series, you may have noticed it’s been two years between book 4 and book 5. Why is this? Well, as I am sure so many of you have experienced, the Covid-19 pandemic made life a bit more complicated for a while. But in addition to that, in June of 2020 I suffered a major head injury during a cycling accident. I struggled to read or write anything for almost 6 months. I would have occasional little bursts of creativity during that time, but I wrote and read very little. I was diagnosed with post concussion syndrome and I can say now, that after almost 2 years, I finally have a great deal of normality with only occasional concussion related issues.

This spring and summer I am back in the full swing of writing. And so there is another announcement. The Children of AEIS became rather lengthy, well over 1000 pages. If you’ve been following the series, you might no why… the world went from one walking city, to multiple, and then in book 4… the whole solar system began to open up. Because of it’s length, I have decided to split it into two books. Which will release within six months of each other. The new entry to the series, means the series will now be seven books in length. Book six is titled, “A War For The Heavens.” While book 5 focuses on the survivors of the aftermath of the Battle for Langeles, book 6 will return back to Manhatsten with their new allies the Lunites, and a conflict that is growing with ROAM. Book 7, A Hand to the Stars, will focus on the final battles for the fate of all remaining walking cities and the solar system itself.

You know, another thing I have been thinking about… my series never really fit quite right into the dystopian literature. Things are hard yes, but not hopeless. There is a lot of oppression, a lot of social control, but there are good things as well. It’s much more complex than the label of dystopian. My project here isn’t to talk about how awful society can be and the fear around the slide downhill… instead, this series is something different. I recently discovered an article on polytopias, about stories where the fundamental driving force of the story is that of change and diversity itself. I realized that the heart of everything happening my fictional universe fits this approach so much better. Definitely give that article a read if you want more info about polytopias. The author correctly points out Kim Stanley Robinson’s Mars trilogy and the Expanse as important examples of polytopias, and stories about change and diversity are definitely my approach.

Thank you to all of you who continue to follow my work. I appreciate every single one of you. I don’t have many fans, but the ones I do are the absolute best.

My First Three Novels are Free till March 25th!



If you’ve read my posts and enjoy my work and haven’t checked out my book series, The Chronicles of the Great Migration, now is your chance to get the first 3 books in the series totally free until Friday March 25th. My books are leaving KU permanently and to celebrate, I thought I would run a free promotion for the series.

Mimi of the Nowhere, Upon Stilted Cities: The Winds of Change, and Upon Stilted Cities: The Battle for Langeles are totally free until this coming Friday.

Feel free to share the link to as many people as you like. And, if you do read the books, all I ask is you leave a honest review.

Cover Reveal for The Children of AEIS!!!

The Children of AEIS, the fifth book in my sci-fi series The Chronicles of the Great Migration, now has a cover! I am so incredibly happy with this cover. The artwork for this cover was created by the very talented Jon Stubbington. Definitely check out his amazing work.

Though I don’t have a firm date for release for the book yet, it will certainly be out before the end of spring of 2022. The Children of AEIS is the penultimate entry into this series, followed finally by A Hand to the Stars.

From the back of the book:

In the penultimate entry of the Chronicles of The Great Migration, Alexa Turon, Runner 17, Major Daniels, and their allies must learn the secrets of the mysterious AEIS and the underground city of Lastion if they hope to discover the key to defeat Miranda once and for all. Above, those aboard Manhatsten scrambles to deal with a new crisis from ROAM.

But from the ashes of the Battle for Langeles and the conflict with the Children of Gaia, a new power rises, one unlike any the world has ever known. It has only one goal, to consume.