Ask an Anthropologist About Worldbuilding: Hearth and Home ft. Stant Litore

This week I sat down with Stant Litore, author of Write Worlds Your Readers Won’t Forget, The Zombie Bible, Ansible: A Thousand Faces, and the inspiration behind the Emmy-nominated Love Death and Robots episode Running with the Tyrannosaur, for a conversation about the anthropology of hearth, home, and belonging in worldbuilding.

Stant opens with his Bones to Pick about what speculative fiction consistently gets wrong about domestic life and culture, and from there we go deep. We talk about why every home in fiction answers two fundamental questions: what does it shelter, and what does it shelter from? We explore solastalgia, the grief not for a home you left but for a home that no longer exists, how ancient Roman domestic space reveals class, power, and vulnerability, and what Keith Basso’s Wisdom Sits in Places means for writers who want their worlds to feel truly inhabited.

We also get into why character wounds and the loss of home are the engine of the best plot choices, and Stant closes with one of the most practical worldbuilding frameworks I have heard articulated in a single conversation.

You can watch the full episode below.

If you found this useful, subscribe to the Loridian’s Laboratory Substack for more conversations at the intersection of anthropology, worldbuilding, and speculative fiction. And if you are building fictional worlds of your own, check out Build Better Worlds, the worldbuilding textbook I co-authored with Kyra Wellstrom.

And, if you have questions about forensics, bodies, and biology, Kyra will be joining me this coming Thursday, March 26th at 7pm for another Livestream Q&A Session. You can put your questions in the chat in advance, or ask them live at this link.

Ask an Anthropologist: How Much Worldbuilding Do You Really Need?

Next Edition of Ask An Anthropologist About Worldbuilding Live Q&A – February 3rd 2026

Submit your questions before the stream in the comments section by clicking here

What’s the right amount of worldbuilding for your story? Maps, architecture, magic, religion, language, myth? The answer… it depends.

In this clip from our last episode of the Ask an Anthropologist About Worldbuilding livestream, I break down how to decide what’s essential for your story, whether you’re writing a 6,000-word short or the first book in a multi-volume epic.

Want help with your worldbuilding? Join us on February 3rd and I’ll field your questions. Can’t make it that day? Put your questions in the comments and I’ll do my best to address them. Click here for the next livestream episode (or watch the replay if you’re seeing this after February 3rd)

Live Tonight: How Anthropology Makes Your Worldbuilding Feel Real

Tonight at 7pm (Denver, CO Time), I’ll be livestreaming and fielding questions about how to use Anthropology to build fictional worlds.

If you’re a writer or creative struggling with worldbuilding or, if something in your fictional world doesn’t quite fit, this is the place to bring all your questions. You can join live and ask questions in real time, or if you can’t make it, drop a question the comments ahead of time, and I’ll do my best to address them during the livestream.

Watch live here: As an Anthropologist about Worldbuilding

Some possible avenues of discussion include:

• Building believable cultures and societies
• Using anthropology in fantasy and science fiction
• Worldbuilding through dialogue and character interaction
• Power, resistance, and social systems in fiction
• Avoiding shallow or stereotypical cultures
• Making fictional societies feel real without exposition dumps

This livestream is about all of you. Quite of few of you have followed my work over the years, and I wanted to do something to give back. And, if people find this useful, I’d love to do a recurring thing.

Hope to see you tonight!

Michael

Stories, Power, and Resistance: A New Focus for 2026

Original Digital Art: Inner Sanctum of the Celestial

Endings and beginnings have a way of forcing honesty.

For me, 2025 did that on every level. Personally, physically, and politically. Like many people in the United States, I could not ignore what was happening around me. That reckoning is what led to the creation of the Resistance Reads podcast. Then, in September, a cycling accident during the Denver Century resulted in reconstructive surgery on my left thumb and months of recovery. An interruption like that has a way of clarifying what truly matters.

What I returned to was simple.

My deepest commitment is to writing books, telling meaningful stories, and using anthropology to help people better understand themselves and the societies they live in.

A Refocused Direction

As a result, my work is more intentionally focused moving into 2026. This is not a dramatic change so much as a narrowing of attention toward what I do best and care about most. I want to be clear about that direction so readers know what to expect.

This site and my Substack will center on storytelling, culture, power, resistance, and transformation, especially through speculative fiction and anthropological insight.

What’s Coming This Year

Books

I will be publishing at least one book this year, possibly two. I plan to share transparent updates on drafting, revision, and release as those projects move forward. At least one audiobook will also be released. I have a big announcement about a stand alone book coming very soon, but I’m also working on Through and Endless Darkness Gleaming (Shades and Shapes in the Dark #2) and The Children of AEIS (Chronicles of the Great Migration #5).

Short Fiction

I’m currently revising several short stories. Some will be submitted to magazines and journals. Others will be shared directly with readers, with select pieces available to paid subscribers.

Paid Subscriber Content

Paid subscribers to my substack receive early access to novels, behind-the-scenes reflections on the writing process, and deeper explorations of anthropology and worldbuilding. That said, there will always be substantial free content available. I am aware of subscription fatigue (I certainly feel it myself) and want this work to remain accessible. If I could do this all for free, I would, but the more support I have, the more content I’m able to make.

Resistance Reads Podcast

The Resistance Reads podcast continues. Matt (my cohost) and I are excited about what’s ahead in 2026. The first episode of the year covers Buffalo Hunter Hunter by Stephen Graham Jones. Conversations about banned books, power, and resistance are also live on the NEW Resistance Reads YouTube channel, alongside major podcast platforms including Apple, Spotify, Amazon, and iHeartRadio.

Ask an Anthropologist (Live)

This year I am launching live YouTube Q and A sessions focused on anthropology and storytelling. The first session, Ask an Anthropologist About Worldbuilding, takes place on January 13, with additional topics to follow. Future sessions will be shaped by reader and viewer interest.

Looking Ahead

If these themes resonate with you, I am glad you are here. If not, that is okay too. My goal this year is focused, meaningful creation, grounded in curiosity and care for how stories shape the world we live in.

If you are following along, I would genuinely love to know what you are most interested in exploring this year: books, anthropology, or the intersection of politics and fiction.

With curiosity,
Michael Kilman

Progress updates on upcoming books will be posted on the homepage of LoridiansLaboratory.com every few months for readers who enjoy following projects as they take shape.

I’m Teaching at the Creative Colorado Writer’s Retreat (And Other Updates)

It’s been a minute, so I have a few pieces of news and they kind of involve most areas of my creative work, as well as a book chapter I wrote in an Anthropology book.

First up is that for the second year in a row, I will be teaching a session at the Creative Colorado Writer’s Retreat run by the incredible small press, Twenty Bellows. I have to say, I think this year has some of the most talented teachers of both poetry and prose in their line up. You can find out more about it here.

For my part, I’ll be teaching a session titled: Worldbuilding Without Info Dumping: How to Master Reader Immersion in Your Writing. My session will be on Saturday September 20th starting at 2:40 Pm.

The goal of the workshop will be to explore worldbuilding without exposition and instead looking how to build through dialogue and action so that your reader connects more deeply to your characters in the middle of the flow of the story.

But wait! There’s more!

At 11am on the second day of the writer retreat, we’re having a book fair. The book fair runs 11 am to 1 pm. I’ll have a table there if you want me to sign your books or pick up a copy of one of my 7 books. Again, there are many very talented authors at the book fair and It’s gonna be a ton of fun!

In other news, Resistances Reads Episode 8 goes live Monday September 15th at 7pm over on YouTube. And if you haven’t seen yet, we’re now on all the major podcast services. Episode 8 will cover the book, Black Empire by George S. Schuyler originally serialized in the 1930s, and is an early example of Afrofuturism. Literatura Obscura will air it’s 3rd episode this week as we discuss the book Ishamel by Daniel Quinn. It’s a novel about a telepathic gorilla who teaches a man the secrets to saving the world.

In terms of book updates, I have something to admit… I’ve been working on a secret project and it’s been distracting me from other things. But, I’m not quite ready to discuss that 8th and decidedly stand alone novel just yet. I am also working at building some of the lore right now for Shades & Shapes in the Dark universe. For those of you who read the first book that came out last may, you might suspect that it’s not really just a horror novel, but also edging into something more. In Through and Endless Darkness Dreaming (Book 2) Clarissa will discover that there’s more creatures out there, than just her own tormenter, Demon and that the world of magic is so much bigger than she realizes.

I am, also, slowly spending time in the world of The Chronicles of the Great Migration. I promise, I am still working on The Children of AEIS, and the final two other books of the series. They will get done.

One final announcement. This one is in the world of Anthropology. I recently published a chapter in the book, Exploring Digital Ethnography: From Principles to Practice. My chapter is titled: Worldbuilding as Pedagogy: Teaching Anthropology and Diversity in Contentious Classrooms. Now this is an academic volume, so while it’s not cheap, you absolutely can purchase it here. There are some great chapters in this book covering a variety of digital and interactive approaches to anthropology.

But if you just want to read my chapter… well… if you contact me, we might be able to find a way…

Until Next Time.

Tomorrow, The Shadow Wakes!!! (Shades & Shape in the Dark Arrives)

I’m so excited to announce, that tomorrow, my dark fantasy horror novel, Shades & Shapes in the Dark launches!

You can find Shades & Shapes in the Dark in paperback and ebook here!

The Audiobook is still finishing up production but will follow close behind in the next week or two. I will announce when that arrives.

To celebrate the release, me and several of my amazing author friends are gathering at Prodigy Coffee where we will be sharing some of our work. I’m so very fortunate to have such talented author friends. Check out their bios and links in the slides below!

If you’re in the Denver area tomorrow, you should join us from 1pm-3pm at Prodigy Coffee!

You can also check out the first and second chapters of Shades & Shapes in the Dark over on YouTube if you’re curious but aren’t sure if it’s for you.

Only 24 Hours To Help Me Fund My Novel Shades & Shapes in the Dark!

It’s down to the wire! Only a little over 24 hours to go and my Indiegogo campaign for Shades and Shapes in the Dark is only 49% funded. I need help crossing the finish line! I need help crossing the finish line!

Don’t forget, the first two chapters are already up on YouTube in audiobook format, which I’ve linked below.

There are tons of perks for those who contribute, including bookmarks, coffee mugs, signed copies, audiobook editions and, even T-shirts. So head over to the Indiegogo page and check them out!

Mishmash (A Free Comedic Short Story)

Image via Pixabay user azmeyart-design

Last week I entered a contest over at Reedsy for a short story. The prompt I chose was, choose a perspective from a Zombie, Mutant, or Infected Creature. The result? A comedic piece about a Zombie suddenly remembering himself.

It appears that my entry didn’t win, but I had so much fun writing it I thought I would share it with all of you. If you like my other comedic sci-fi stories than this one is right up your alley. Enjoy!

Mishmash

Stumbling forward and dragging one dislocated leg behind him, the creature woke from its viral-infused fugue. Its first thoughts upon waking were, where… how… what… and also, where’s dinner?

It looked around. Gray concrete lined every surface. In front of it, a gray wall rose far above. The creature’s eyes traced the wall up twenty feet or so, and saw dozens of people standing there behind a black railing under an awning. Then, it looked down and saw a moat between them and it. It tried hard to think of where it had seen something like that before, until finally, the image of a zoo popped into its head. He, and yes, it now remembered it was a he, couldn’t fathom why he would be in a zoo. Especially since he seemed to be inside of a pen.

He leaned down and dunked his hand in the water, testing the temperature, but felt no change. It occurred to him; that he felt nothing at all. Looking up, he opened his mouth to ask the people above where he was, but all that came out was a long low moan of “Misssssshhhhhhmassshhh.”

“Wow! It talks, Daddy?” asked a little girl in the pink dress with twin pigtails standing above Mishmash with the crowd.

“Well, zombies can’t talk. Not anymore. They’re too stupid. All they want to do is eat,” said the man, whose long beard hung over his bib overalls.

“Oh.” she paused for a moment and then said, “But it said Mishmash. Isn’t that a word?” asked the daughter. “It sounds like a word.”

“Well, maybe that’s its name. Maybe that’s all it remembers of being human,” replied the father.

“But if it remembers its name, then doesn’t that mean it’s not stupid?”

Changing the subject, the father said, “I don’t know. Do you want to feed it, princess?” 

“Yeah!” shouted the little girl.

Mishmash searched the crowd above for the father and the little girl. As he did, he saw motion above him. Something was falling from the sky. He tried to focus his eyes, but they didn’t work quite the way they used to. Then he saw it, a severed arm twirling through the air, and the moment he identified it, the arm smacked him right in the center of his face before it fell limp to the ground before him. He stumbled backward, his dislocated leg twisting, and he fell on his ass.

The girl squealed with laughter. “Bullseye Daddy!”

The man chuckled and pulled up on the straps of his overalls. “You sure got him good, princess.”

She clapped her hands. “Oh, I can’t wait to watch him eat it! It’s so gross when they eat. I love it!”

Her father laughed again. “Well, remember, if you’re too grossed out, we can leave. You don’t have to watch.”  

“Don’t worry, I won’t be! I told you I watched the zoo livestream feeding the zombies on YouTube all the time!” She giggled and continued, “I like it when they eat heads. It’s so weird to watch them try to bite it like an apple.” The little girl sighed and then pouted. “I wish I could get two hundred million views on my YouTube videos.”

“Me too, princess, me too. Too bad they won’t let us have our phones here or we could have recorded your bullseye. I bet a lot of people would have laughed at that.”

Confused and listening, Mishmash looked down at the arm. Then he looked up at the little girl who had thrown it. She stood at the top of a rail, a good twenty feet above, standing in the middle of the crowd. Her pink dress flapped in the gentle breeze. He scanned the crowd looking past the father in overalls and at the other spectators. Other people in the crowd wore everything from yoga pants to their Sunday best. It was a whole general mishmash of people from all walks of life.

Mishmash picked himself up, stumbling to his feet. Angry, he shook his fist and shouted at the little girl and said, “Mishhhhhhmassshhhh” He thought to himself that people really let their kids get away with anything these days. He wasn’t wrong. Imagine, reader, how you would feel in Mishmash’s situation.  

Many members of the crowd standing behind the railing above held severed limbs and assorted body parts of their own. Mishmash thought he saw one young boy holding what had to be a coiled ball of intestines. Before Mishmash could say or do anything, a shower of body parts rained down around him. He dove to the ground, covering his head as organs and limbs made squishing and splatting noises on the concrete of the enclosure.

Puzzled at the assault, Mishmash stood up again and dusted himself off. He turned and saw that, to his surprise, zombies were all around him. Terrified, he stepped back to the edge of the moat, feeling his panic rise. They ignored him.

Each creature headed toward the closest body part. He looked back down at the arm lying there in front of him. Then he looked back up at the crowd, and then, back at the Zombies. They didn’t seem very interested in him, and certainly, if they were zombies, wouldn’t they want to eat him?

With a sinking feeling, Mishmash looked down at his hands. He turned them over back and forth. They were a strange grayish color, though there were splotches of normal skin here and there. He thought, Oh no. Oh no no no no no. How had this happened? He couldn’t be a Zombie, could he? Zombies weren’t supposed to think. Something was wrong here, but he couldn’t quite remember what.

Hunger pain rose in his belly and his eyes drew to the severed arm sitting there just before him. Without thinking, he kneeled on the ground with his good leg, picked up the arm, and drew it toward his mouth. It was cold as if recently stored in a meat locker or a morgue. But that didn’t matter. He was so hungry he could barely stand it.

Mishmash opened his jaw wide so that he could bite off the biggest chunk possible, then stopped. He remembered himself, paused, and dropped the arm. It occurred to him that he really shouldn’t be doing this. It was a human arm, and he was… what? Well, obviously, not exactly human. Were zombies human? What did it mean to be human?

For a moment, dear reader, he felt tempted to go down a philosophical rabbit hole about that question, but opted instead, to examine his circumstances. He was after all a scientist. That’s right! He remembered now, he, Mishmash, was a scientist, at least in the before times.

He abandoned the arm, walking around the pen and observing the others eating their fill. Despite his desperate hunger, he felt a wave of revulsion. It was a noisy business, their hungry mouths munching and tearing at flesh and tendon. Nor did it smell much better. Zombies, he decided, smelled terrible. He sniffed himself and wondered if the moat was available for bathing. Did they provide zombies with soap here? He doubted it.  

Mishmash looked back down at his hands again and something, some fragment of memory, stirred in him. He remembered the bite. He looked down at his right hand and noticed, under the graying skin, teeth marks.  

Stumbling, he fell and remembered his dislocated leg. There was no pain. He looked down at his knee, bent at an odd angle, reached down, and straightened it with a pop. Apparently, the only discomfort he could feel was hunger. He stood, with his leg adjusted, but far from perfect, he walked back to the moat where the abandoned limb lay. It was then more memories flooded back.

“What’s it doing? What didn’t it eat the arm?” said the little girl.  

“I don’t know. Maybe it’s full?” said the father.

Another person, who Mishmash couldn’t see, said, “Zombies don’t get full, you idiot. They eat and eat and eat.”

The father said, “Then you explain what it’s doing.”

Mishmash lost the tenor of the conversation to his own thoughts.

Everything was so clear now. His name wasn’t Mishmash, it was Dr.… Dr.… well, he couldn’t remember his name, but he remembered the viral outbreak. Because the virus took a long time to transform you, the military contained the disease in a few cities. With the worst possible outcome avoided, Mishmash and his lab assistant had begun research on a vaccine to prevent future outbreaks.

He looked around again, and his heart sank. This was the pen he used to conduct his research. This was where they kept the handful of Zombies they hadn’t torched. He was in the Bronx Zoo. The body parts were from cadavers because it turned out that Zombies were picky eaters. They only liked human flesh, and you couldn’t very well have your test subjects starve to death. Funny enough, they had discovered Zombies could starve to death. However, the only other way they could die was by destroying the brain. Somehow the virus kept the rest of the flesh up and running regardless of its condition.

The virus had something to do with… immortality research? Yes, that was it. Well, here it was, basic immortality, as long as you ate people and gave up your mind. But then, why did he have a mind? There was a reason, but he couldn’t quite remember. But first things first, Mishmash had to get out of here. He clearly didn’t belong anymore.

He prepared a plea, a cry for help. And reader, I promise you he was trying his absolute best. It was just that, well, his mouth didn’t quite work the same anymore. He moaned, “Miiissssshhhhhhmassssshhhh.”

Someone above said, “Is it trying to talk to us?”

Hope filled Mishmash. They were listening. He was so damn hungry… but someone was listening! He could get out of here. Maybe they would let him go back into his lab and find a full cure. Then he could eat. Perhaps they could provide him with a snack on the way?

Something else flashed in his memory… the exposure… it wasn’t an accident. Someone had undone the restraints on the Zombies bed, just as he was injecting it with the test vaccine. He had been so close. There was something about… the zoo… ticket prices… money? The memory was incomplete. But he remembered that just before the disease spread to his brain, he had given himself a dose of the vaccine. Apparently, it hadn’t entirely worked, but now, here he was, and he was back… well, his mind anyway.  

He tried to think of anything else but the arm and ignore the ravenous hunger, and yes, his eyes kept drawing back to that arm. He didn’t want to eat it, but also, he really did. Could anyone blame him? The cadavers came from bodies donated to science. So it wasn’t like anyone was getting hurt. Dr. Mishmash, as he now thought of himself, had a disease, a virus that made you ravenous. He must have eaten human flesh before or else he wouldn’t have survived this long. He licked his lips and reached for the arm.

He stopped. No, there was no time for eating now. Mishmash focused and knew what he needed to do. He needed to escape. In order to do that, he needed to be as eloquent as possible. Yes, if he could only express himself properly, then he could escape and perhaps continue his research… and eat. He would definitely eat.

Mishmash raised one finger as if to make a pronouncement and win his freedom from the enclosure. He would tell them that his body had fought off the disease, and that he could think clearly again. He would say that, now that I’ve been through the gauntlet and out the other side, a cure was inevitable. They must trust the science.

He opened his mouth and said. “Missssssssssshhhmash. Mishmash. Mish. Mish. Mash. MMMMMMMish. Mish mash mash mash mash mish. MISH MASH!

Then he sat, exhausted. Hopefully, they understood. There were a lot of mishes and mashes there, but he was certain that he had belabored the point.

He looked up, expectant of his liberty. Knowing that any minute now, surely someone would come down and get him out of here. It would be tricky, because the other zombies were around and he certainly wouldn’t anyone to get… bitten…. He licked his lips. Unless… well, maybe he could have just a nibble. That man in the overalls was plump. Perhaps, just a taste?

No one moved. Nothing happened except for silence. Well, okay, it wasn’t silent, because behind him, he could hear his fellows munching away at their… lunch? Dinner? Did it really matter? It wasn’t like you decided, oh, arms are for breakfast and legs are for dinner. Either would be fine for any meal. His eyes drew back to that arm, still sitting there where he’d left it.

He made himself focus. It was just a matter of time till someone rescued him. Mishmash waited. His stomach rumbled. He waited some more.

Then he stood back up and tried to say something again.

“Miiiiissshh mash mash mash mish.”

Still no response. He knew it was difficult to understand his decaying vocal cords, but his tongue was working just fine. Surely they had understood some of the words he had said?

Another zombie walked up next to him. It was a woman. He looked at her lovely face and recognized his lab assistant, though he couldn’t seem to recall her name. She turned her face toward him, and he saw, with only, light horror, considering what he now understood about himself, that the cheek on her right side was entirely missing. He could see her teeth through her face.

She grabbed him by the hand, and all at once, he realized she, too, had woken from the long slumber of the zombie fugue. The test subject bit them both at the same time and Mishmash had injected her with the vaccine as well, in hopes they would both avoid the exact fate they were currently experiencing. So here it was the proof that his vaccine worked, sort of. With a little refinement, Mishmash was confident they would both find a cure and win a Nobel prize for their efforts. Also, she looked really cute standing there, with part of her face missing. Good enough to eat almost.

She said, “Maaaaagooooorrrr Magor magor…”

He nodded in agreement. The humans above didn’t seem to understand but somehow he did. Were they psychically linked somehow? Another interesting element to research. He asked her, in what he was increasingly certain was their own distinct zombie language, how long she had been… awake.

She replied, a few days, and that another, the one who had bitten them after they had given it the vaccine, had woken up as well. Unfortunately, after an attempt at a hunger strike to try to get the attention of someone, anyone, that she was no longer mindless, Magor had gone mad with hunger and eaten the only other zombie who woke from the fugue.

In Zombie, Mishmash said, “Well, at least there are still two of us, and were cured!”  

In the zombie language, which outwardly sounded like Magor Gor Mag Magggggooorr Magor magor, she said, “Well, I wouldn’t say we’re cured just yet would you Dr.? I can’t stop craving human flesh.”

“No, Dr. Magor,” replied Mishmash, “I don’t suppose we are. We will need to get back to the lab and further refine our treatment. But I’m confident we can find the cure.”

From above, the little girl said, “What are they doing, Daddy?”

“I don’t know, princess. Maybe they’re talking to one another.”

The third person, who was still not visible to either Mishmash or Magor, said, “Zombies don’t talk stupid. They just eat. Maybe they’re about to eat each other!”

“Oooo,” said the little girl. “Do they do that, Daddy?”

“I don’t know princess, they might if they’re hungry enough.”

Magor picked up the severed arm that had hit Mishmash in the face and said, “Are you gonna eat this?”

“Yes.” Said Mishmash, “I suppose I should. I must keep my mind clear.”

She handed over the arm. She was only a little hungry since she had just eaten.

Mishmash gave into his hunger.

Don’t be grossed out, reader. You would do the same thing in his situation. Just let Mishmash eat in peace. Then, maybe, he can find a way out of this.

Maybe.

A Poem from “Shades and Shapes in the Dark” Chapter 10: The Shadow of Samhain

Preorder for my novel, Shades and Shapes in the Dark will begin soon! The book is headed off to the editor next week. The nove is a dark fantasy/horror story set beginning in the 90s and span 40 years. The story is about a dark force, that follows the main character Clarissa through her life, and how she must learn to fight back, ultimately drawing on ancient magic and wisdom. The first book begins when she is only 9 years old, and encounters the shadowlike creature for the first time.

Each chapter in the novel has a poem that opens the piece. Sometimes this poem is something to do with the character, sometimes narrative information for the reader, sometimes foreshadowing, and sometimes it includes a bit of the lore of the world.

Chapter 10 is titled: The Shadow of Samhain. It takes place on Halloween and, of course, since it’s the season, I thought I would share that opening poem.

The Shadow of Samhain

Come all ye, gathering shades,
The time of Samhain is at hand,
We will rise to rot and scatter,
Our blight across the land.

For the first of us comes at witching hour,
To seek his contractual prize,
Lust for power brings him strength,
With every victim’s demise

But a bargain struck will not go unpaid,
A boon of power is owed,
It matters not who is struck down,
Nor the depth and breadth of your woe

More news of the novel, including the release date and more is just around the corner!

News, Podcasts, A Writing Workshop, and Publishing Updates September 2024

Hey all, I know it’s been a while since I have had updates so I have several things to post about today. Sorry for the long message, but I’ve broken things down so you can easily skim to the information you want.

The first is the reason that things are so delayed. This summer I joined Teach for America and last month I officially became a High School English and Language Arts teacher for 11th and 12th grade. Let me tell you, that’s an extremely busy job.

Despite the very long hours I am working right now, I’ve managed to make a lot of steady progress on my forthcoming novels. I am currently on a streak of 574 days or writing without skipping. 500 or so of those days had a minimum of 1000 words a day. So I make progress on something every single day (though I must admit at least 50 of those days I deleted the words right after I finished them but hey, you gotta get those bad words out of the way for the good ones to shine).

Here is the current status of my books that I am actively working on:

Shades and Shapes in the Dark is currently in it’s final pass before it heads off to the editor. ETA for book 1 is either October 17th or November 17th depending on the amount of edits required (How much red pen my editor uses).

The series is now 4 books with the following titles and progress level:

Book 1 “Shades and Shapes in the Dark” is in final edits with an ETA in October or November.

Book 2 “Though An Endless Darkness Gleaming” is 75% of Draft 1

Book 3: “An Illumination of Extraordinary Madness” is 50% of Draft 1

Book 4: “The Nature of Twilight At Dawn” is 30% of Draft 1

I currently expect to finish draft 1 of Book 2 by November 1st and to use NaNoWriMo to finish (or get close to finishing) the first draft of book 3

The Children of AEIS and The Chronicles of the Great Migration final two books, A War For the Heavens and A Hand to the Stars are still on their way. The Children of AEIS is sitting at around 75% first draft completion. The largest reason for the delay was a major concussion only two months after the release of Serah of the Runners. This derailed me pretty solidly and right now, when I have free time on top of writing, I am working through creating notes of the 4 books because my memory of them appears to be a little lacking from first the injury and then the passage of time. But, they are in progress and they absolutely will get finished sometime in the near future.

Welcoming the Muse


My poetic essay, Writing is Living was selected for publication by Twenty Bellows Press this summer. The piece is about life as an author in the 21st century. There will be a release party sometime this fall and I will provide more information as the date approaches. Needless to say, I’m thrilled to have another short of mine published this year. That makes 2 short pieces of writing picked up by publishers.

How to Write for the Future Podcast

I also recently appeared on a second episode of Write for the Future. This podcasts covers some basics of worldbuilding. The host also spent time across several episodes highlighting some of the key features of Kyra Wellstrom and I’s book, Build Better Worlds. I have linked the second episode where I guest starred as well as the episodes that surround our book below.

Part 1

Part 2

Additional Episodes that Cover Our Book

What is Cultural Context? (Build Better Worlds, 1 of 4)

Myth, Imagined Past, and Cultural Purity in Fiction (Build Better Worlds, 2 of 4)

The Sacred: Religion and Mysticism (Build Better Worlds, 3 of 4)

Economics: More Than Money and Markets (Build Better Worlds, 4 of 4)

Twenty Bellows Writing Retreat in Denver, CO

My last piece of news is that back in July I was asked to teach a session at the Creative Colorado Writers Retreat hosted by Twenty Bellows Publishing Company. I feel so honored to be a part of this retreat as it includes some of the most talented and knowledgeable writers in Denver.

You can find out more about this retreat here


That’s it for updates (I know there were a lot). I’m confident my next update will be release news! I hope everyone is having a great holiday weekend (if you’re American and reading this).